Coil: Camera, Light, Oblivion
| Format | Price | Buy |
|---|---|---|
| Coil: Camera Light Oblivion + Sick Mirrors Chapbook + Badge | £45.00 |
Description
Coil: Camera, Light, Oblivion
Coil: Camera, Light, Oblivion
Coil Live in London
2000-2002
Photographed by Ruth Bayer
170 x 220mm
160pp + 6 page fold out
Over 200 photos in colour and BW. Texts by Ruth Bayer and Mark Pilkington.
+ 32pp chapbook Sick Mirrors: Coil at the Barbican
+ Flashing black and silver enamel Time Machines hieroglyphic monad badge.
HB edition of 500 copies only, signed by Ruth Bayer: £45 +p&p.
Advance orders from 30 April, shipping by mid-June.
Available only from Strange Attractor Press.
This book is a time machine.
We’re thrilled to present this collection of photographs by Ruth Bayer, documenting Coil’s first live performances as a band between 2000 and 2002.
Ruth was granted unprecedented access to three live London performances – at the Royal Festival Hall, the Queen Elizabeth Hall, and the Barbican – and was present both onstage and during behind-the-scenes preparations.
Ruth’s images capture both the method, and the madness, of Coil’s now-legendary live performances, and provide a unique window into this critical, final phase of Coil’s
Coil Live in London
2000-2002
Photographed by Ruth Bayer
170 x 220mm
160pp + 6 page fold out
Over 200 photos in colour and BW. Texts by Ruth Bayer and Mark Pilkington.
+ 32pp chapbook Sick Mirrors: Coil at the Barbican
+ Flashing black and silver enamel Time Machines hieroglyphic monad badge.
HB edition of 500 copies only, signed by Ruth Bayer: £45 +p&p.
Advance orders from 30 April, shipping by mid-June.
Available only from Strange Attractor Press.
This book is a time machine.
We’re thrilled to present this collection of photographs by Ruth Bayer, documenting Coil’s first live performances as a band between 2000 and 2002.
Ruth was granted unprecedented access to three live London performances – at the Royal Festival Hall, the Queen Elizabeth Hall, and the Barbican – and was present both onstage and during behind-the-scenes preparations.
Ruth’s images capture both the method, and the madness, of Coil’s now-legendary live performances, and provide a unique window into this critical, final phase of Coil’s